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You can negate this by applying a HSL hue shift of +20 to reds and blues. Note for XTrans III camera users Luminar has a slight colour shift on RAW files compared to other converters. Thankfully the LUT filter has its own contrast/saturation sliders I’ve found setting contrast to -45 and saturation to 20 compensates for this and gives very similar results to other applications. This leads to the image having too much contrast when the LUT is applied. Luminar applies a tone-curve to the image by default that can’t be disabled at time of writing. Luminar (3DL) – add the LUT filter and select your 3DL.

Go up a level from the User directory then unzip the preset folder into the Extra directory, they will then appear in their own category.

Unzip the presets directly into this folder they will appear under the “Custom” preset category.

Luminar (presets) – open Luminar and select “Show Presets Folder” from the File menu. Remember to disable the tone-curve in RAW assistant! You can download ProPhoto LUTs here, or if you work in a different space you can create your own by opening the identity image and each profile in Affinity then exporting as a PNG with the correct ICC profile selected in Export Settings. The standard profiles are sRGB and will give undesired results if used in a different colour space. Note that this will only give accurate results in the sRGB colour space.Īffinity LUT adjustments are affected by your working colour space.

Select “Load LUT” and pick the desired 3DL simulation file.

As it’s a layer you can also blend/mask as desired. You can then save the adjustment as a profile for quick access in the future.

Select “Infer Lut”, pick the identity PNG file and in the second dialog the desired simulation.

Remember to disable auto-levels and reset your exposure sliders before applying!Īffinity Photo – there are two ways to apply a simulation.

#X4s camera lut download install

RawTherapee – install the HaldCLUT package, go to the install location and add the profiles to a sub-folder, then restart RT. Any processing to the image should ideally happen AFTER you’ve applied the simulation or you may get unintended results. The simulations are designed to be applied to a neutral RAW file, this means no auto-levels or custom tone curves / contrast should be applied, although you can still use the exposure slider to correct initial brightness. įuji XTrans III – Darktable profiles converted from my HaldCLUT originals by Andy Costanza of the Darktable community. įuji XTrans III – ProPhoto profiles to be used in Affinity Photo (see below).

#X4s camera lut download software

įuji XTrans III – 3DL LUTs to be used in any software that supports them (Affinity / Luminar / On1 etc).

įuji XTrans III – Presets for Luminar 2018.

#X4s camera lut download iso

Note that the Acros sims have ISO dependent grain applied by the camera which will be absent here.įuji XTrans III – Profiles ready to use in RawTherapee and Affinity Photo.

#X4s camera lut download pro

The latest version was created using an X100F and includes all simulations present on the camera including: Provia, Velvia, Astia, Classic Chrome, Pro Neg Hi, Pro Neg Std, Acros, Acros + Ye, Acros + R, Acros + G, Mono, Mono + Ye, Mono + R, Mono + G and Sepia. I have created a set of LUTs (look up tables) based on the film simulations from Fujifilm’s own “RAW FILE CONVERTER” software which produce very close results to the in-camera processing. Modern Fujifilm cameras are popular for their built-in film simulations, however only a handful of editors are capable of replicating them. **Update February 16th 2018 – Mono+R was accidentally a copy of Acros+R – this is fixed in the latest download links. You can find the old sims (XTransII v3) at the bottom of the page. **Update January 3rd 2018 – New film sims based on the X100F including Acros are now available! Read below for more details.